Adolf Schmid (1867- 1944) Two Bronze Jugendstil Reliefs - "Zwei Knaben - Flötenspieler" & "Young Boy Teasing a Frog" - circa 1903

   

 If you are familiar with the American idiomatic expression "What goes around, comes around," then you can relate to this latest addition to my collection. About ten years ago I bought a bronze Jugendstil style relief by the German artist Adolf Schmid (1867-1944) of a young nude boy teasing a frog with a cat-tail. It was one of those delightful Art Nouveau works that was obviously manufactured by some German metal works for the home mass market of the early 1900's. You know the ones Oma kept on the wall which reminded her of the good old days after legally emigrating to America before that bumbling brain dead fool Biden and his Marxist traitors, who stole the 2020 election, decided to destroy America.  At the time of the auction there was another bronze relief by the same artist in the same size that I missed out on which was of two young nude boys in an Elysian Fields setting, one playing the flute for their mutual enjoyment. Just a couple of farthings more and I would have had the pair. Needless to say I parked the image of the missing relief I missed in the back of my memory and swore that one day I would find another, no matter how long it took. Well, last month I was haunting "Die heiligen Hallen von eBay Deutschland" when low and behold there before my astonished eyes was the missing relief, only it was in a silver patina instead of the original chocolate brown bronze. Well, who am I to argue with fate? When you start messing with the gods on high then expect to be hit by a lightening bolt quite quickly. So fearing a bolt of lightening from on high, I grabbed it and it is on its way into my collection.  

As usual, there is scant information about Adolf Schmid on the web other than some information I found on an auction website which featured a previously sold example of the relief I bought, only in the bronze patina which I had pursued all these years. The following biographical information was gleaned from a listing at Auktionshaus Michael Zeller:

.... Professor Adolf Schmid (born June 15, 1867 in Stuttgart, died March 31, 1944 in Pforzheim), taught at the School of Applied Arts, Pforzheim in 1911. He made a name for himself as a sculptor of small objects, medalist and chaser. Schmid was called to design a medal for Prince Karl von Baden's 70th birthday in 1902. Franz Liszt and Johann Peter Hebel were also artistically portrayed in metal by him in 1904. The cities of Karlsruhe and Constance secured his services by minting medals for the bicentenary of the founding of Karlsruhe city in 1715 and the centenary of the unification of Constance with Baden in 1806. Adolf Schmid worked with the Pforzheim mints B. H. Mayer and Schmidhäussler. (Lit .: Dressler, artist lexicon, page 885)....

The Zeller Auction House listing included this sold example of Schmid's work, signed and dated 1903, which is exactly like the one I missed buying many years ago:

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Thanks to a dealer in Germany, this silver coated example is on its way to my collection:

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Here is the Schmid Bronze relief I bought many years ago:

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And here are the few examples of Schmid's other works that I managed to find:

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Willem Leendert Bruckman (1866-1928) - Aktstudie Eines Mädchens am See.. Circa 1890 - 1900 - Nude Study Female Child at the Lake

For years I have been looking for a well executed juvenile female nude by a well listed 19th Century trained artist (to balance out the more typical subject matter of the juvenile male). Several weeks ago I finally found what has to be a rare bird indeed in the collecting world. Willem Leendert Bruckman (1866-1928) (Variation Willem Leonardus Bruckman), Painter, architect, and illustrator was born Willem Leendert Bruckman in The Hague, Holland. He attended the Academie of Fine Arts in his native city. He studied Both architecture and painting. This little painting (6.5 by 9.5 inches) is well executed on cut down artist canvas board and shows how well Bruckman had command of his observational skills and the art medium, oils. His work appears in several European Museums. Apparently he spent some time in England painting the countryside because many of his paintings reside in English Museums and are of English landscapes and architectural subjects. Unfortunately, I could find only the barest of biographical information on the artist. The seller listed the painting as “attributed" but there is enough circumstantial evidence on the reverse of the canvas board to substantiate a positive attribution … i.e. signature comparison and origination of the canvas board from a contemporary London maker.  This is shear speculation on my part, but there is a possible partial title with the little girl's name and the artist's name below that, in German, on the handwritten note attached to the back of the frame (Top line) ..... Trudie?  Sounds about right.... she looks like a Trudie to me. Enjoy.

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Authentic Signature (above)

(Source: Portrait of Ethel Clack)

Signature as it appears on the reverse of the Canvas board. (above)

London Manufacturer's George R. Rowney & Co. stamp on reverse of the canvas board in Imperial measurements 14 by 10 inches (above). (Source: The British Museum, London)

       

Handwritten note on the reverse attached to the frame (above)

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Here are a few examples of his works:

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"A Dutch Canal"

Portrait of the artist's wife,Viola Bruckman, watercolor, signed lower left

(above)

  Figures beneath an Archway - watercolor

Portrait of Ethel Clack (above)

De Roman [The Novel], c. 1925. Oil on canvas laid down on board

Oxford Church - 1926 (above)

"The Backyard"

BRIAN SCHUMACHER (Contemporary Artist) - Figure Study: Standing Male Nude Pulling a Rope - Oils on Board - 2004

 Don't ever let it be said that I can't stumble my way into a bargain nude and recognize a classically trained artist when I see one. I was bumbling around on eBay UK several weeks ago looking for a 19th century nude when low and behold I happened upon a beautiful little nude by the American realist artist Brian Schumacher. I had to backtrack a little and finally found the original listing on eBay here in the states. I did a little background on the artist and yes indeed his training also included the Florence Academy of Art in Florence, Italy. Contemporary or not the drawing and painting detail of this small painting is most 19th century impressive. Here is his biography I pulled up from his website:

"As a multi-disciplinary artist, designer, and educator, Brian Schumacher’s work takes shape within the fertile landscape where the hand, the mind, and the eye meet. Having trained, and subsequently taught in several of the world’s top studio atelier’s, including the Florence Academy of Art in Florence, Italy and the Grand Central Academy of Art in New York City, his paintings and drawings are sought after for their careful attention to detail, for their archival craft, and for their luminous, living presence.  As a designer and educator, he is a passionate advocate for the cultivation of vital hand skills, having experienced time and again that what we learn to make with our own hands shapes how we see and understand the world around us, for the better. Brian’s work can be found in private and public collections across the United States and in Europe, including the Forbes Foundation and the Pennsylvania Academy of Fine Art. He has received numerous grants and awards, including the Darwin T. Turner Award for excellence in teaching and promoting inclusiveness in the classroom, a Mellon Grant Teaching Fellowship, a Vogelstein grant, a Stobart Foundation grant, the American Institute of Architect’s Henry Adams Award for excellence in architectural design, and the Pennsylvania Academy of Fine Art’s Mary Butler Trust Purchase Prize.

“As an inherently empathetic person, it has always been second nature for me to listen and extend myself into the experience of others; as an artist, and as a designer and an educator, this sensitivity informs all that I do. I see the act of making as an act of hope, and an opportunity to connect and communicate with those around us.  I look to the structure and nature of our perceptual abilities to help guide our understanding about how and why we see and respond to our environment, with the belief that insight through careful observation leads to self-reflection, and that self-reflection is a gateway to greater tolerance, inclusiveness, and positive change. The creative impulse is a human impulse that does not draw boundaries around identity or privilege, and is guided and made manifest by a shared, universal visual and material language that is both learned and available to all, like the air we breathe.”

Born and raised in the Pacific Northwest, Brian has traveled broadly and lived in many major cities across the United States and Europe. Currently he divides his time between living with his wife and 14 year old daughter in the foothills of Western Massachusetts, with periodic forays back to Cincinnati, OH, where for the past eight years he has taught foundational design studios within the top ranked schools of design and architecture at the University of Cincinnati’s College of Design, Architecture, Art, and Planning (DAAP)."

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Caption: Figure Study - Man Pulling a Rope

Artist: Brian Schumacher 

Medium: Oils on Board (9in x 10in)

Signed and Dated: 04

 

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Here are a few examples of his works: (The Artist reserves all Rights)

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