ACTAEON- Bronze Relief - Unknown German Artist -Circa 1900-1930

When I first spotted this beautiful bronze relief on eBay Germany my first reaction was: “OMG, that’s Actaeon!” The seller had eroniously listed the bronze as “Man chased by wolves and dogs on horseback” in German! I knew it was way more than that! My breath was taken away by the beauty of that work or art. I had to have it! The starting price was at a stupid low amount of a few Euros so I emailed the seller and told her what the subject matter was and made her what I thought was a fair offer of several hundred Euros, which was way more that the current bid! Fortunately she accepted my offer and that beautiful bronze relief is headed into my collection.

The story of Diana and Actaeon in Ovid’s Metamorphoses tells of a man who happened by chance upon a goddess bathing. The outraged goddess ensures that Actaeon can never tell what he has seen by changing him into a deer to be killed by his own hounds. Ovid explicitly compared the reasons for his own exile with the error that Actaeon unintentionally committed. Subsequently, many artists have used this story to comment on the censorship of a human being and to explore Ovid’s own thoughts on the subject. A 17th-century plaquette (Bowdoin College Art Museum), Titian’s Diana and Actaeon (National Gallery, London), and a tapestry depicting the same scene (Metropolitan Museum of Art), offer three different interpretations of Actaeon’s story. Each artwork (painting, tapestry, or plaquette) tells a unique story of Actaeon’s unfortunate fate and gives the viewer insight into the plight of the exiled author. Actaeon’s encounter with Diana shows the unfortunate fate of a young hunter who unknowingly happens upon a nude goddess. “But if you seek well, you will find the charge of chance, not a crime; for what crime did error have?”I Actaeon did not mean to offend the goddess and is genuinely surprised when his wanderings in the woods bring him to the pool where the naked goddess is bathing. “Thus the fates bring that man.” II Diana’s nymphs surround her and try to cover her but Diana splashes him with water, which transforms him into a stag before he even has time to realize what has happened. As Diana silences Actaeon forever, she sarcastically says to him, “Now you may tell that I have been seen by you, if you are able to tell, it is permitted.” III She taunts him knowing full well that he will never be able to tell anyone what has happened. He is doomed as a human stuck in an animal’s body for the rest of his short life. Not even twenty lines later the attack of his own hunting dogs starts, and he is torn to bits as his fellow hunters look on wishing Actaeon was there to see. Contemplating the events that had transpired Ovid discusses the justness of the punishment: “Public opinion varied: For some, the goddess seemed more violent than was just, others praise her and call her worthy of her austere virginity; and each side finds reasons for their point of view.” Diana’s violent response may seem more reasonable when viewed against the context of multiple tales in previous books that create certain expectations about how woodland encounters between a male and and a female will unfold. Heath’s article, “Diana’s Understanding of Ovid’s ‘Metamorphoses’”, emphasizes that the circumstances of Diana, rather than Actaeon, are unfortunate. Previous stories in the Metamorphoses that combine eroticism and hunting create an atmosphere of fear and a perception, “in which Diana, a careful and understandably suspicious audience of Ovid’s narrative world of hunt and rape, cannot help misinterpreting Actaeon’s actions.” V For example, in Metamorphoses 1, Apollo becomes infatuated with Daphne who must resist the imminent danger of (a possible) rape. She then begs her father to allow her to be left alone, like Diana, the virgin goddess. Daphne’s fate is less than desirable as she is turned into a tree in order to deny Apollo her body. Later on, Jupiter disguises himself as Diana in order to force himself upon Callisto. You can find more on Callisto here. Therefore, Diana knows that a man finding a naked woman in the forest is never a good thing, even if he is a mortal against a goddess. “The goddess reacts to the only paradigm she understands, that of the narrative pattern which makes her open to assault.”VI Diana has no other option but to react and therefore, her transformation of Actaeon can be seen as necessary defense rather than a cruel punishment. She believes she is standing her ground! …… In this 17th century tapestry, Actaeon is seen fleeing the scene  and again, the horns are already on his head implying his impending death in the jaws of his own hunting dogs. Actaeon is a doomed man who feels guilt and shame, or even fear, from happening on the naked goddess. Diana, on the other hand, seems much more regal and poised. She does not seem like she is acting out of fear, but rather out of a sense of divine dignity. This makes the punishment seem much more cruel and depicts Actaeon as a hapless victim much less responsible for his actions. Would Ovid identify more with the scene depicted in this artwork over the other two? The blame is placed entirely on the one who is silencing. Actaeon just happens to be in the wrong place at the wrong time and is banished forever from human existence to be killed as a stag by his own beloved hunting dogs. Behind Actaeon’s transformation and doom, Ovid’s own exile from Rome by Augustus resonates. Throughout the story, Ovid reminds the reader that it was indeed fate that brought Actaeon to Diana and not his own wrongdoing. “Thus the fates bring that man.” IX Later artists make specific decisions that illuminate different thoughts on the guilt or innocence of both Actaeon and Diana. These decisions reflect on the unfortunate censorship of the Roman poet turned exile. Ovid comments on the fortune of Actaeon in Tristia: “Ignorant Actaeon saw Diana without clothes: nevertheless he fell as prey for his dogs. Even fate must be atoned for among the powers that be; chance carries no weight when a god has been hurt.”X Even if Actaeon was just unlucky, maybe the goddess acted in an understandable manner given the circumstances. Was Diana unjust in her punishment, or was she right to be defensive in the presence of a man given the many stories ending in rape after a hunt? A close analysis of Ovid’s text reveals that Actaeon was brought there by fate, but can we still call the reaction of the goddess unjust? The story of Diana and Actaeon may be up for debate but what this conversation yields is the opportunity to reflect on the exile of Ovid and the silencing of many others.